Time is marching
Alternate title
Time is marchng on
Master
55-339
Location/Date
Universal Recording Corporation
Chicago, IL, October 19 1955
Vee-Jay 164
Lineup
John Lee Hooker, vcl/gtr; Jimmy Reed, hca; Eddie Taylor, gtr; George Washington, bs; Tom Whitehead, dms
Produced by
Calvin Carter
Vee-Jay 164
45 rpm
Vee-Jay 164
EP
Stateside SE 1023
LP
Bulldog Records BDL 1011, Charly LP 1004, DJM DJD 28026, Everest Records FS 222, Exodus EX-325, Joy Records JOY 101, Top Rank International 33.002, Vee-Jay LP 1007, Vee-Jay LP 8502, Vee-Jay VJR00005, WaxTime 771919
CD
Acrobat ACQCD 7103, Avid Roots EMSC1208, Charly CD 62, Charly CD BM 19, Charly CD DIG 5, Charly CDGR 281, Charly CPCD 8242-2, Charly CR RED 6, Charly SNAJ 705, Charly VBCD 301, Collectables COL 0108, Collectables COL CD 7107, Craft Recordings CR00015, Fruit Tree FT821, Jasmine Records JASCD 562, Proper Records PROPERBOX 111, Saga 532 122-3, Shout! Factory 8 26663 10646, Soul Jam Records 600804, Soul Jam Records 600913, Soul Jam Records 806184, Timeless Classic Albums DOLCD0475, Tomato R2 71659, Union Square Music INTROTCD01, Union Square Music METRTN014, Union Square Music SIMPTNCD026, Vee-Jay NVD2-713, Vee-Jay VJR00003
Most of Hooker’s recordings for Vee-Jay were done in Bill Putnam’s newly built studio, Universal Recording Corporation, on 46 E. Walton Street in Chicago, with his ”#2-man”, Bernie Clapper, engineering (in studio 2). Hooker’s Vee-Jay ”contacts” were Jimmy Bracken, Ewart Abner and especially Calvin Carter, who also was the foremost producer. When Putnam in 1957 started his United Recording at Sunset Boulevard in Los Angeles, Clapper took the lead in Chicago.
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